The Haunting of Hill House

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The Haunting of Hill House is a 1959 gothic horror novel by American author Shirley Jackson. A finalist for the National Book Award and considered one of the best literary ghost stories published during the 20th century, it has been made into two feature films and a play, and is the basis of a Netflix series. Jackson's novel relies on terror rather than horror to elicit emotion in the reader, using complex relationships between the mysterious events in the house and the characters' psyches. Hill House is a mansion in a location that is never specified but is between many hills. The story concerns four main characters: Dr. John Montague, an investigator of the supernatural; Eleanor Vance, a shy young woman who resents caring for her demanding, disabled mother;Theodora, a bohemian artist implied to be a lesbian; and Luke Sanderson, the young heir to Hill House, who is host to the others. Montague hopes to find scientific evidence of the existence of the supernatural. He rents Hill House for a summer and invites as his guests several people whom he has chosen because of their experiences with paranormal events. Of these, only Eleanor and Theodora accept. Eleanor travels to the house, where she and Theodora will live in isolation with Montague and Luke. Hill House has two caretakers, Mr. and Mrs. Dudley, who refuse to stay near the house at night. The four overnight visitors begin to form friendships as Montague explains the building's history, which encompasses suicide and other violent deaths. All four of the inhabitants begin to experience strange events while in the house, including unseen noises and ghosts roaming the halls at night, strange writing on the walls, and other unexplained events. Eleanor tends to experience phenomena to which the others are oblivious. At the same time, Eleanor may be losing touch with reality, and the narrative implies that at least some of what Eleanor witnesses may be products of her imagination. Another implied possibility is that Eleanor possesses a subconscious telekinetic ability that is itself the cause of many of the disturbances experienced by her and other members of the investigative team (which might indicate there is no ghost in the house at all). This possibility is suggested especially by references early in the novel to Eleanor's childhood memories about episodes of a poltergeist-like entity that seemed to involve mainly her.